{"id":29503,"date":"2022-07-17T20:37:26","date_gmt":"2022-07-17T18:37:26","guid":{"rendered":"https:\/\/diploma2022.ecolecamondo.fr\/memoire\/eleonore-linard-henriot\/voiler-devoiler-conversations-autour-dune-part-dinvisible\/"},"modified":"2022-10-07T20:54:31","modified_gmt":"2022-10-07T18:54:31","slug":"voiler-devoiler-conversations-autour-dune-part-dinvisible","status":"publish","type":"dissertation","link":"https:\/\/diploma2022.ecolecamondo.fr\/en\/memoire\/eleonore-linard-henriot\/voiler-devoiler-conversations-autour-dune-part-dinvisible\/","title":{"rendered":"Obscuring, revealing: conversations on an invisible element"},"content":{"rendered":"\n

“Le propre du visible est d\u2019avoir une doublure d\u2019 invisible <\/em>au sens strict qu\u2019il rend pr\u00e9sent comme une certaine absence.”<\/p>

Maurice Merleau Ponti<\/span> – <\/span>L’Oeil et l’Esprit pg. 85, 1964.<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n\n

Comment les artistes attisent-ils notre curiosit\u00e9 et parviennent-ils \u00e0 toucher notre sensibilit\u00e9 en cr\u00e9ant la surprise au travers de leurs \u0153uvres ?
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Ce m\u00e9moire s’articule autour d’une conversation entre deux anciens \u00e9tudiants, aujourd’hui architectes d’int\u00e9rieur. Ils d\u00e9battent et \u00e9changent sur toute une s\u00e9rie d’oeuvres, de la Renaissance \u00e0 aujourd’hui, en abordant diff\u00e9rents m\u00e9diums tels que la peinture, la sculpture, l’architecture, la photographie et le cin\u00e9ma. <\/p><\/div><\/div><\/article>\n\n\n

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Terre \u00c9rotique,\u00a0Andr\u00e9 Masson, 1955\n& L’Origine du Monde, Gustave Courbet, (d\u00e9tail), 1866\n \n<\/figcaption>\n <\/article>\n\n\n\n

“Le monde a une origine qui le maintient en vie, on s\u2019en approche par une succession infinie de d\u00e9voilements, mais si on la regarde, le monde n\u2019y est pas. Il faut la garder cach\u00e9e”.<\/p>

Alexis Jenni <\/span> – <\/span>D\u00e9sire-t-on la femme sans t\u00eate ?, Regard Crois\u00e9s, 2014<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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Pour dessiner un drap\u00e9, le corps est en fait indispensable. Il est indispensable car c\u2019est \u00able drap\u00e9 (qui) rev\u00eat le corps et le corps qui structure le drap\u00e9\u00bb. Il faut diff\u00e9rencier les deux, m\u00eame si parfois, le drap\u00e9 est si bien repr\u00e9sent\u00e9, qu\u2019il ne fait qu\u2019un avec le corps.<\/p><\/div><\/div><\/article>\n\n\n

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Love House,<\/em>\nTakeshi Osaka, 2016\n<\/figcaption>\n <\/article>\n\n\n
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“Fen\u00eatre sur cour<\/em> me satisfait par sa structure, car c\u2019est un condens\u00e9 du traitement subjectif. Un homme regarde, voit, r\u00e9agit. Voil\u00e0 comment s\u2019\u00e9labore un processus mental. Fen\u00eatre sur cour<\/em> tout entier est un processus men<\/p>

Alfred Hitchcock<\/span> – <\/span>Fen\u00eatre sur Cour, 1920<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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\n \n \n \n <\/svg>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/article>\n","protected":false},"author":46,"featured_media":28218,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"I believe that the eyes can speak all by themselves. That it is important and necessary to always have a new outlook, be it innocent or daring. That regardless of where we come from, our perception of the world is unique to us and constantly changing, due to what we see, what we learn and what we are given to understand. I also believe that artists, including interior architects, like to create surprise and plunge the visitor as deep as possible into their own visual abyss. Oliver and C\u00e9sar, two friends and interior architects, debate and discuss works, questioning the tiniest visible element hidden deep within the invisible, sharing a conversation that may be interesting to read and hear.","_metafield_image_toggle":false,"_metafield_image_legend":"","_metafield_gallery":[]},"keywords":[17],"teachers_list_1":[9],"class_list":["post-29503","dissertation","type-dissertation","status-publish","has-post-thumbnail","hentry","keywords-champ-artistique","teachers_list_1-aurelien-fouillet"],"acf":[],"yoast_head":"\nObscuring, revealing: conversations on an invisible element - Diploma Camondo \u00e9dition 2022<\/title>\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\t\n