{"id":29525,"date":"2022-07-14T16:46:20","date_gmt":"2022-07-14T14:46:20","guid":{"rendered":"https:\/\/diploma2022.ecolecamondo.fr\/memoire\/victor-poirier-coutansais\/design-et-art-points-de-rencontres-et-de-divergences-dans-le-design-contemporain-de-collection\/"},"modified":"2022-10-11T18:42:22","modified_gmt":"2022-10-11T16:42:22","slug":"design-et-art-points-de-rencontres-et-de-divergences-dans-le-design-contemporain-de-collection","status":"publish","type":"dissertation","link":"https:\/\/diploma2022.ecolecamondo.fr\/en\/memoire\/victor-poirier-coutansais\/design-et-art-points-de-rencontres-et-de-divergences-dans-le-design-contemporain-de-collection\/","title":{"rendered":"Design and art"},"content":{"rendered":"\n

“Penser le design de mani\u00e8re unilat\u00e9rale en se focalisant sur un aspect uniquement esth\u00e9tique ou pratique, c\u2019est refuser de vouloir embrasser toute sa complexit\u00e9”<\/p>

Victor Poirier Coutansais<\/span> – <\/span>Extrait de Design et art, points de rencontres et de divergences dans le design contemporain de collection<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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“Le futur ne sera pas un monde de standards, de robots et de produits fabriqu\u00e9s en grande s\u00e9rie”<\/p>

Andrea Branzi<\/span> – <\/span>Catalogue de\u00a0l\u2019exposition Andrea Branzi au FRAC Centre, Orl\u00e9ans. Du 15 octobre au 30 d\u00e9cembre 2004.<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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Wendy Andreu & Bram Vanderbeke, XX Side Table, 2020. \u00a9 Wendy Andreu \u00a9 Bram Vanderbeke \u00a9 Daniele Lodice. <\/em>\n<\/figcaption>\n <\/article>\n\n\n
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Max Lamb, Chair n\u00b01, 2010. \u00a9 Salon 94 Design.<\/em>\nScott Burton, Rock Chair, 1982. \u00a9 DR.<\/em>\n<\/figcaption>\n <\/article>\n\n\n\n

“\u00c0 une \u00e9poque o\u00f9 presque tout est standardis\u00e9 et mondialis\u00e9, la tendance \u00e0 la “diff\u00e9rence” et \u00e0 l\u2019unicit\u00e9 est ce qui rapproche l\u2019avenir et en fait un signe de progr\u00e8s”<\/p>

Gaetano Pesce<\/span> – <\/span>“In un’epoca in cui quasi tutto \u00e8 standardizzato e globalizzato, la tendenza alla “differenza” e all’unicit\u00e0 \u00e8 ci\u00f2 \u00e8 che fa avvicinare il futuro trasformandolo in largitole di progresso”. Gaetano Pesce, 2018, \u00e0 l’occasion du Fuorisalone.<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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Elissa Lacoste, Conversation bench, 2019. \u00a9 Elissa Lacoste.<\/em>\n<\/figcaption>\n <\/article>\n\n\n
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Ettore Sottsass et Perry King, Machine \u00e0 \u00e9crire Valentine, 1968.\u00a9 Olivetti \u00a9 MoMa \u00a9 Ettore Sottsass.<\/em>\n<\/figcaption>\n <\/article>\n\n\n
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Merci \u00e0

Charlotte Poupon
Marion Duclos Mailaender
Wendy Andreu
matali crasset
Edoardo Monti
Liv Vaisberg
H\u00e9l\u00e8ne Br\u00e9h\u00e9ret et Benjamin Desprez
Nathalie, Cl\u00e9mence, \u00c9ric et David<\/p><\/div><\/div><\/article>\n","protected":false},"author":56,"featured_media":27233,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"We have arrived at a point in the history of design where we feel the need to extricate ourselves from normality and the uniformity imposed by mass-production and its resulting loss of emotion. We might therefore ask ourselves if the history of design might be cyclical, iterative. The return to a form of craftsmanship, the rejection of mass production in favour of original pieces, the acceptance of rising prices as a demonstration of quality and the development of more unique and meaningful objects have already been explored by Morris and the Italian radicals, so is collectible design not just an augmented repetition of the pattern?","_metafield_image_toggle":true,"_metafield_image_legend":"Victor Poirier Coutansais, Tsukuyomi, 2020, d\u00e9tail, Galerie Desprez Br\u00e9h\u00e9ret. \u00a9\u00a0Victor Poirier Coutansais.","_metafield_gallery":[]},"keywords":[17,19,34],"teachers_list_1":[11],"class_list":["post-29525","dissertation","type-dissertation","status-publish","has-post-thumbnail","hentry","keywords-champ-artistique","keywords-demarche-de-recherche","keywords-univers-du-luxe","teachers_list_1-charlotte-poupon"],"acf":[],"yoast_head":"\nDesign and art - Diploma Camondo \u00e9dition 2022<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diploma2022.ecolecamondo.fr\/en\/memoire\/victor-poirier-coutansais\/design-et-art-points-de-rencontres-et-de-divergences-dans-le-design-contemporain-de-collection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Design and art - 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