{"id":29598,"date":"2022-07-17T16:43:29","date_gmt":"2022-07-17T14:43:29","guid":{"rendered":"https:\/\/diploma2022.ecolecamondo.fr\/sujet-libre\/edgar-jayet\/les-aveugles\/"},"modified":"2022-10-14T12:13:06","modified_gmt":"2022-10-14T10:13:06","slug":"les-aveugles","status":"publish","type":"subject-free","link":"https:\/\/diploma2022.ecolecamondo.fr\/en\/sujet-libre\/edgar-jayet\/les-aveugles\/","title":{"rendered":"The Blind"},"content":{"rendered":"\n

Si l\u2019auteur plonge les protagonistes dans une c\u00e9cit\u00e9 absolue, comme des \u00eatres jet\u00e9s dans la nuit cherchant \u00e0 saisir quelque chose du monde, elle convoque surtout notre propre regard sur l\u2019existence. L’obscurit\u00e9 nous concerne tous \u2014 l’espace et le monde nous renvoient ici autant de signes dont il s’agit de saisir le sens. <\/p><\/div><\/div><\/article>\n\n\n\n

La perception du r\u00e9el, ces images qui se forment dans notre esprit, rassemblant l\u2019ensemble de nos sensations, conf\u00e8re au sc\u00e9nographe un r\u00f4le majeur dans la transmission du texte par l\u2019espace. <\/p><\/div><\/div><\/article>\n\n\n\n

Pi\u00e8ce symboliste, o\u00f9 tout est signe familier, \u00e9vocation d\u2019enjeu beaucoup plus grand que ce qui semble se d\u00e9rouler sous nos yeux, je me suis interrog\u00e9 sur la nature d\u2019un dispositif sc\u00e9nographique pour une pi\u00e8ce par essence irrepr\u00e9sentable. Comment permettre au spectateur de saisir la port\u00e9e de ce texte ? <\/p><\/div><\/div><\/article>\n\n\n

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Amedeo Abello \u00a9\n<\/figcaption>\n <\/article>\n\n\n\n

Cet espace parle de lui-m\u00eame, il indique des usages, et l\u2019on comprend vite que nous sommes tous sur sc\u00e8ne. Le public est \u00e0 nu, poreux \u00e0 un texte \u00e0 la signification d\u00e9terminante \u2014 les acteurs eux vibrent au rythme du public, des al\u00e9as et de cette mati\u00e8re vivante avec laquelle travailler. <\/p><\/div><\/div><\/article>\n\n\n

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<\/div>\n <\/a>\n <\/div>\n
\n \n
<\/div>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
Amedeo Abello \u00a9\n<\/figcaption>\n <\/article>\n\n\n\n

“Une tr\u00e8s ancienne for\u00eat septentrionale, d\u2019aspect \u00e9ternel sous un ciel profond\u00e9ment \u00e9toil\u00e9. Au milieu, et vers le fond de la nuit, est assis un tr\u00e8s vieux pr\u00eatre envelopp\u00e9 d\u2019un large manteau noir. Le buste et la t\u00eate, l\u00e9g\u00e8rement renvers\u00e9s et mortellement immobiles, s\u2019appuient contre le tronc d\u2019un ch\u00eane \u00e9norme et caverneux. <\/em><\/p><\/div><\/div><\/article>\n\n\n\n

La face est d\u2019une immuable lividit\u00e9 de cire o\u00f9 s\u2019entr\u2019ouvrent les l\u00e8vres violettes. Les yeux muets et fixes ne regardent plus du c\u00f4t\u00e9 visible de l\u2019\u00e9ternit\u00e9 et semblent ensanglant\u00e9s sous un grand nombre de douleurs imm\u00e9moriales et de larmes. <\/em><\/p><\/div><\/div><\/article>\n\n\n\n

Les cheveux, d\u2019une blancheur tr\u00e8s grave, retombent en m\u00e8ches roides et rares, sur le visage plus \u00e9clair\u00e9 et plus las que tout ce qui l\u2019entoure dans le silence attentif de la m\u00f4me for\u00eat. Les mains amaigries sont rigidement jointes sur les cuisses. <\/em>
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\u00c0 droite, trois vieillards aveugles sont assis sur des pierres, des souches et des feuilles mortes. \u00c0 gauche, et s\u00e9par\u00e9es d\u2019eux par un arbre d\u00e9racin\u00e9 et des quartiers de roc, cinq femmes, \u00e9galement aveugles, sont assises en face des vieillards. Deux d\u2019entre elles prient et se lamentent d\u2019une voix sourde et sans interruption. <\/em<\/p><\/div><\/div><\/article>\n\n\n\n

Une autre est tr\u00e8s vieille. La cinqui\u00e8me, en une attitude de muette d\u00e9mence, porte, sur les genoux, un petit enfant endormi. La sixi\u00e8me est d\u2019une jeunesse \u00e9clatante et sa chevelure inonde tout son \u00eatre. Elles ont, ainsi que les vieillards, d\u2019amples v\u00eatements, sombres et uniformes. <\/em>
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La plupart attendent, les coudes sur les genoux et le visage entre les mains ; et tous semblent avoir perdu l\u2019habitude du geste inutile et ne d\u00e9tournent plus la t\u00eate aux rumeurs \u00e9touff\u00e9es et inqui\u00e8tes de l\u2019\u00eele. <\/em>
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De grands arbres fun\u00e9raires, des ifs, des saules pleureurs, des cypr\u00e8s, les couvrent de leurs ombres fid\u00e8les. Une touffe de longs asphod\u00e8les maladifs fleurit, non loin du pr\u00eatre, dans la nuit. Il fait extraordinairement sombre, malgr\u00e9 le clair de lune qui, \u00e7a et l\u00e0, s\u2019efforce d\u2019\u00e9carter un moment les t\u00e9n\u00e8bres des feuillages.<\/em>“
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<\/p>

Maurice Maeterlinck<\/span> – <\/span>Les Aveugles<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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\n \n \"\"\n <\/a>\n <\/div>\n
Amedeo Abello \u00a9\n<\/figcaption>\n <\/article>\n\n\n
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\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n","protected":false},"author":83,"featured_media":27571,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"Designing a set for The Blind (Les Aveugles) undeniably involves exploring the space of perception. Plunging the protagonists into absolute blindness, like beings thrown into the night seeking to grasp something of the world, the author above all summons our own view of existence. Darkness affects us all \u2013 here, space and the world send us a series of signals whose meaning we need to grasp. The perception of the real, these images that bring together all our sensations, give the set designer a major role in conveying the text. By creating another, broader mental space, endowed with this power of evocation, they would allow the viewer to enter into resonance with a text and abolish all distance from its meaning, making way for spirituality itself.","_metafield_image_toggle":true,"_metafield_image_legend":"Amedeo Abello \u00a9","_metafield_gallery":[]},"keywords":[16,33],"teachers_list_2":[38],"class_list":["post-29598","subject-free","type-subject-free","status-publish","has-post-thumbnail","hentry","keywords-arts-de-la-scene","keywords-scenographie","teachers_list_2-mathilde-bretillot"],"acf":[],"yoast_head":"\nThe Blind - Diploma Camondo \u00e9dition 2022<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diploma2022.ecolecamondo.fr\/en\/sujet-libre\/edgar-jayet\/les-aveugles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Blind - 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